
Maria Guerra Sappho is an artist and researcher exploring techno-social communities, experimental instrument-building, and artificial intelligence in creative practice. Her work navigates diaspora, ecology, cultural memory, and postcolonial histories through posthuman feminist and techno-moral lenses.
She is Lecturer in Creative Sound Design and Composition (Music), University of Glasgow, and completed her PhD at the University of Huddersfield within the ERC-funded Interactive Research in Music as Sound (IRiMaS) project.
Maria leads the Syzygy project (Immersive Arts UK funded), a Mixed Reality-based ecological storytelling installation, and was Composer-in-Residence with the Bahué Duo (USA) in 2025, developing new work on diaspora and land. She co-founded Chimère Communities, establishing grassroots AI art hubs across Lesotho, South Africa, Switzerland, and the UK, and founded the Underground Intelligences research network.
Internationally recognised as a composer and performer, she has performed with Mogwai and the International Contemporary Ensemble (USA), and is a long-serving member of the Glasgow Improvisers Orchestra. Her recent works include The Tentaculae (Creative Climate Award nominee, NYC), The Ostoyae (UNESCO Week of Sound), and Zemi (Huddersfield Contemporary Music Festival).
Her awards include the NIME Best Installation Award, the SHARE Prize (Italy), the BBC Daphne Oram Award (UK), the AiiA AI Prize (Switzerland), and the MANE Emerging Composer Prize (Australia). She is co-author of New Directions in Musical Collaborative Creativity (Oxford University Press, 2025), and her research has been published in leading journals across music, technology, and critical theory.
Awards
- Best Installation, NIME London, for Zemi, with Colin Frank (2026)
- SHARE Prize XVII, Italy, for ZEMI (2025)
- MANE Emerging Composer Prize, Australia, for Pleiades (2024)
- Creative Climate Awards, NYC, nominated for The Tentaculae (2023)
- BBC Radiophonic Daphne Oram Award (2021)
- Best Work with AI, AiiA Festival, Geneva, for Incheon (2021)
- Dewar Award, residency with the Australian Art Orchestra (2018)
- New Piano Stars Competition (2015)
Roles
- Founder, Underground Intelligences
- Co-founder, Chimère Communities
- Curator, Mopomoso series and The Matriarchal March, Vortex Jazz Club, London
- Organiser, GIOfest
- Curator, VIR, marginalised genders in experimental composition, Glasgow (ongoing)
- Board member, Glasgow Improvisers Orchestra
- Board member, OPUS Music
- Judge, Ivors Classical Awards (2023)
- Fellow of the Higher Education Academy
Press
- Relistening: Celebrating MonkInternational Times (Dominic Rivron) · Review · 2026
‘Monk at the Border’ by Maria Sappho is a magical piece
- Trust in the Art of Free ImprovisationRobert Burke and Andrys Onsman, Routledge · Book, in-depth interviews · 2026
- Reconfiguring access and creativity in improvised musicJazz Research Journal (Una MacGlone and Raymond MacDonald) · Article · 2025
- Preview: Glasgow Improvisers Orchestra’s GIOfestThe Quietus (Stewart Smith) · Preview · 2025
- High Road, Low Road on the New Music ShowBBC Radio 3 · 2025
- Maria SapphoThe Radiophonic Broadcast · Podcast interview · 2024
- Re-Thinking Virtuosity for the Hybrid Era of Multifarious ApproachesContemporary Music Review (Linda Jankowska) · Article · 2023
- Of music, mushrooms and machines: the Ostoyae, Chimère, and youThe Wire (Una MacGlone) · Essay · 2023
- Transformative TerrainsBBC Radio 3, Freeness (Corey Mwamba) · Radio · 2023
- Music Farther Outside: Experimental Music During Brexit and the PandemicBill Shoemaker · Book, extended interview · 2023
- L’IA peut-elle être un·e partenaire artistique comme un·e autre ?Le Monde, binaire blog (Élise Collet and Isabelle Collet) · Article · 2022
- AiiA, un opéra créé par une intelligence artificielleLéman Bleu TV · Television · 2022
- Review of Brutalust, The Waste LandSun and Violence · Review · 2022
an immersive and imaginative album of experimental music making
Contact
Please get in touch through my University of Glasgow profile.